Go to Lone Pine! See Reel Life in the Alabama Hills!

“Hilda, you got to understand. Whenever I bring the girl in, I got to make sure things don’t come to a terrible stop. Because that’s a tendency in Westerns, or in any action picture. The girl is a bore.” Mr. Deane turned, shouted to an assistant for another cup of black coffee and waved Hilda away. ~ From my story “The Girl’s A Bore.”


I’m not even sure if these locals were in costume or not!

The Alabama Hills and the surrounding brushed granite boulder landscape near Lone Pine, California form the backdrop for hundreds of Hollywood’s commercials and films, including recent blockbusters such as Iron Man and Django Unchained as well as well-known Western serials such as the Lone Ranger and Hopalong Cassidy. This October 11-13 the 24th annual Lone Pine Film Festival promises to elevate the stature of this natural treasure with a recently announced special guest star – the revered film historian Leonard Maltin, who will interview industry insiders and actors. Maltin’s credentials are impressive: author of five books and an annual movie reference and guidebook, board member of the National Film Preservation Foundation at the Library of Congress, 30-year host on Entertainment Tonight, adjunct professor at the University of Southern California’s School of Cinematic Arts and host of the weekly program Maltin on Movies for ReelzChannel.

The film festival and the Alabama Hills are the setting for my story “The Girl’s A Bore,” inspired by the history of Westerns and the exclusion of women from leadership roles in the industry.


Get this graboid off of me! Creature from the Kevin Bacon sci-fi classic “Tremors,” shot near Owens Lake. You can visit this and many other fun exhibits at the Lone Pine Film History Museum on Main Street in Lone Pine.

I conducted research for my story by watching dozens of Westerns shot in the Alabama Hills, among them How the West Was Won, Bad Day at Black Rock, Joe Kidd, Tell Them Willie Boy is Here, and attending the Film Festival in 2009. I found one film, which was not shot in the Alabama Hills, especially helpful – Butch Cassidy and the Sundance Kid. The accompanying documentary on the 2006 two-disc collector’s edition of the film made for rich opportunities to fictionalize the real-life story of tensions between Cassidy director George Roy Hill and actress Katharine Ross. Thanks to Hill for the title of my story. I hope he approves.

Don’t miss out on one of the West’s most charming and all-American events that will educate (I’m especially looking forward to the 1900 Water Wars Tour of the Owens River) and delight. The Sunday parade down Main Street complete with hoop dancers, cowgirls and cowboys, antique cars, actors, horses and mules, will leave you believing that land, water, movies and history matter – and that they’re never a bore.


The Lone Ranger in the Parade.


Gifted actress Geri Jewell was the first actress with a disability to be cast as a regular in a primetime series. Her work in “Deadwood” was brilliant.


Nothing beats a parade and free candy!

For a set of stunning photographs from the Los Angeles Times, click here!

Field of (Broken) Dreams

Last year I visited a recreated baseball diamond accompanied by a panel with this quote: “Putting on a baseball uniform was like wearing the American flag.” I was not visiting a neighborhood park where a venerated Hall of Famer played as a child, nor was I conjuring the site of a long demolished stadium where the sport of baseball became legend. I was at Manzanar, and I was trying to imagine more than 6,000 acres of the Owens Valley dedicated to the imprisonment of 10,000 Japanese-Americans during World War II.

Baseball diamond, Manzanar, January 2011. Photo by author.

2012 marks the 70thanniversary of Executive Order 9066 that detained, behind barbed wire, more than 110,000 Americans of Japanese descent and resident Japanese aliens without due process. Following on the heels of the Japanese bombing of Pearl Harbor, some government officials feared  potential espionage and sabotage. Near Lone Pine, California the stories of some of these individuals can be seen and understood at the well-designed National Park Service facility.

A reconstructed barrack is open for visitors, lending insights into daily life for internees. Photo by author.

Kumiko, Kiku, Yusuro, Lily, Chiyoke, Mitsuye, Misuko, Kenji, Takeo, Kentaro, Mariko, Aiko. The names of the people who lived here for three years are etched into glass in the Visitor’s Center along with thousands of others. I read them one by one, but after a few minutes I stopped. The list was simply too long. A good many of those interned were from a small fishing community in San Pedro, California called Terminal Island.

I wanted to see this deserted village, so a few months later I drove to San Pedro near Long Beach to try to see what the community suffered. Again, imagination is required to piece together the history of Terminal Island, as no trace of Japanese gardens, schools, merchants or recreation halls remains. On foot I circled the memorial established by a committee who did not want the history to be forgotten. Two larger than life sculptures of Japanese fishermen reeling in their catch arrested my attention. A regal torii gate stands guard over the past. No tourists visited in that remote part of San Pedro, only 18-wheelers hauling freight for unloading cargo ships of goods from Asia and Europe. I toured Tuna Street and recognized storefronts from 1930s and 1940s photographs that now stand empty and will probably be demolished. It was here that barber shops, pool halls, small mercantile, grocers and restaurant owners were forced out of business, bound for the Owens Valley where President Franklin D. Roosevelt apparently wanted them. The Navy subsequently razed their homes in the village.

My first memories of Manzanar are as a sort of ghostly roadside attraction, one of many markers along the road from Bishop to my Grandmother Lorraine’s house in Lakeside near San Diego. As mom or dad drove, my sister Carol and I looked out the windows and counted things such as train cars, Volkswagen Beetles, power lines, or big rigs. We always noticed Manzanar. As we grew older our questions about what it represented became more inquisitive. I realized after several years of asking that I would not know much more than what Mom and Dad said, namely, that it had been a sort of prison camp for the Japanese and now it was abandoned.

Soul Consoling Tower, Mount Williamson in background. Photo by author.

Addressing the deep wrongs of Manzanar has been a bipartisan affair – Gerald Ford revoked Executive Order 9066 in 1976; Jimmy Carter recommended an apology accompanied by payments of restitution and an educational center; Ronald Reagan delivered the apology and signed the act for payment; George H.W. Bush mailed the payment checks and signed the apology letters; Bill Clinton signed legislation establishing Manzanar as a National Historic Site; and George W. Bush signed legislation to preserve all ten sites where the Japanese were confined.  Now three of the ten original internment camps have been transformed into national monuments.

“Without baseball, life at Manzanar would have been miserable,” said one internee.

Sporting events were common inside the camp. A men’s team called the ManzaKnights played baseball; the Dusty Chicks played softball.

This year also marks the 40th anniversary of Title IX; recently I visited the Charles M. Schulz Museum’s temporary exhibit honoring the seminal legislation that addressed gender discrimination in girls and women’s sports in the schools. The gallery displays women’s uniforms through time as well as photographs of athletes such as tennis player Billy Jean King. In one section a grainy photograph of two teams of Japanese women playing volleyball at Manzanar was featured. Though they played under a scorching sun and competed behind barbed wire fences, these women put on their game faces.

Women play volleyball at Manzanar internment camp. Photo by Ansel Adams.

I feel a kinship to these prisoners unknown to me, as sports have always been an anchor to my family, place and a special feeling of patriotic fervor. Yet I am not proud to be American as I drive from the baseball diamond toward what used to be Manzanar’s hospital.  Before 2011 only the guardhouse entry building and the gymnasium, and the concrete foundations of the hospital and mess hall, remained. Now, thanks to the National Park Service, visitors can see recreated barrack buildings and learn about the camp through photographs and educational films and displays in the interpretive center. It’s a sobering visit, one that alternately makes you feel superior that it wasn’t you that made such an unfair decision to falsely accuse and jail American citizens, and ashamed that it was your grandparents who probably supported it.

We passed Manzanar hundreds of times during our Owens Valley childhood, as it was the first touchstone along what seemed an interminable drive on Highway 395 from Bishop to San Diego. Traveling south, it was a sign that the journey had just begun; returning from Grandma’s house, it was how we knew we were almost home.

Its mysterious, shadowy past intrigued and plagued me; I had to write a story to include in my collection, Cover This Country Like Snow.

But what right do I have to tell a story set in Manzanar from the point of view of a third generation Japanese-American woman? I am reminded of the controversy surrounding Forrest Carter’s Education of Little Tree, a book originally marketed as an autobiography written by a Cherokee man and later found to be a fictional story penned by a white man with ties to racist groups.  While I’ll never fully understand the experience of a Japanese woman interned at Manzanar, I can do something about it by bringing it to light for a 21st century audience. The story is “Manzana,” which is the Spanish word for apple and was the name of the orchard town before the federal government leased the land from the Los Angeles Department of Water and Power. Writing this story has taught me more than all the years of driving by the site of the former camp.

Military police sentry post built by a Japanese stonemason and internee, Ryozo Kado, serves as the present entrance to Manzanar. Photo by author.

The last Japanese American prisoner left Manzanar in November 1945 several months after the conclusion of World War II. Though they were forced to surrender their livelihoods and communities, the prisoners themselves volunteered to fight for the United States and thousands of them served in the Armed Forces. Many internees later wrote about the horrors in the camps, the extreme temperatures and the betrayal they endured. Photographers such as Dorothea Lange and Ansel Adams captured the experience for government department records. Despite the hardships the prevailing theme was – make the best of it and keep close to one another. U.S. intelligence services later found that not one Japanese American committed any act of spying or treason.

During baseball season we have our family’s teams games on nightly – Padres for me, Giants and Phillies for my husband. No matter what I’m doing around the house, whether it’s catching up on emails, preparing for work the next day or editing my book, I stop, stand up and place my right hand over my heart, and sing along to the National Anthem before a baseball game. I am proud to be American. Coupled with the Seventh Inning Stretch and the singing of “Take Me Out To The Ballgame,” these traditional ceremonies unite us all, as disparate as we are. And as flawed as we are.

Ansel Adams photograph of a baseball game, Manzanar

Turns out, even during years of internment, Japanese Americans at Manzanar War Relocation Camp felt the same way. Today, the DustyChicks and the ManzaKnights live on with just the merest suggestion of a baseball field, the ghosts of a cheering crowd rooting the players on and the crack of a wooden bat making contact with the ball in the middle of the High Desert of the Owens Valley, barbed wire well beyond the outfield.

Interested in learning more? Visit these wonderful sites: